CRANBORNE AUDIO 500ADAT

Rack for 8 500 Modules, 8in/8out ADAT expander, 500ADAT analog adder is the perfect solution to hold 8 of your favorite 500 modules. It's also an ADAT 8in/8out expander, an analog adder, and a mixer tailored to each artist. It can increase the inputs and outputs of any ADAT compatible audio interface. The simplicity of the ADATConnecting 500ADAT to any audio interface equipped with an ADAT port allows you to increase the availability of inputs and outputs in steps of 8, using a reliable digital signal tested over the years. The possibility of the 500500ADAT series combines an 8-slot high-current chassis with a digital conversion into ADAT format. This is a powerful and accessible way to insert your 500 series modules into your digital recording and mixing device. Sound On Sound - November 2019 “Simply put, with the 500ADAT, Cranborne offers a product of exceptional quality at a competitive price, filling an unfilled market gap” “Against: none” “To approach a similar system, you should have the budget for a standalone bidirectional converter of acceptable quality... an 8-slot rack and an adder... and, despite having spent more, you don't They would still have all the characteristics of 500ADAT” Matt Houghton, SOS Nov 2019ADAT and Oltre500ADAT contains the essential features to combine digital and analog production workflows such as, for example, an analog adder (8 channels on two outputs), a zero-latency mixer with two quality headphone outputs and an ADAT & SMUXII/IV transmission for operations with sample rates up to 192 kHz. ADAT, SMUX II/IV Expander: transform your ADAT audio interface into a powerful analog station, adding 8 expansion channels up to 96kHz or 4 channels 192 kHz channels .Zero-latency mixer: take control of the mix using the 500ADAT's two aux buss to create clean mixes for artists with an analog flavor, mixable with DAW playback, and addressable to musicians with zero latency.Ample high-current headphones: Pilot your headphones with the 500ADAT reference-quality headphone amp, with enough power to drive even low-impedance headphones with abundant headroom and a frequency response of up to 1 Hz. Discreet summer: you can give your mix an analog touch and I instrument groups and stems through your 500 modules and in the adder, and then register them back in your DAW.High-quality conversion and clockingTo make your 500 series modules shine in your digital recordings, the conversion must be carried out at its best. The 500ADAT converters are designed to ensure that the only possible coloring is due to the positioning of the microphones, the decisions of the mixes and the choice of 500 modules. Dynamic Range: 121 dB A-weighted, AES17 method, 20 Hz - 20 kHz Frequency Response: -1 dB, 2.2 Hz to > 80 kHz THD+n: < 0.00032% (-110 dB) @ -4dBFS, 20 Hz - 40 kHz, 1 kHz, A-Weighted Clock Jitter: < 0.5 picoseconds deep integration of the configurable 500 Front End series: combine your 500 modules to find the best solutions during recording and mixing to create your sound signature AnalogicSource selection: dedicated switches are available for selecting sources on each 500 slot so as to decide the signal path and send analog, C.A.S.T. or USB sources through the I/O modules sufficient for any Hardware: it is possible to integrate the 500ADAT with any analog or digital hardware, for example by connecting it to your converter or integrating it with other rack units with dedicated TRS inserts on the slots. No module? No problem: Bypassing 500 unused slots, it is possible to take advantage of all the inputs available to record equally, while waiting to fill the slots with other modules. Did you think it was over? If you want more connectivity for the 500 series modules, you can use up to two 500ADAT units with some interfaces, or pair one with the 500R8. By connecting a 500R8 and a 500ADAT via ADAT, it is possible to have 16 channels of 500 modules to work with both during mixing and recording. Even if the 500ADAT offers the same performance as the 500R8, any third-party ADAT expander is compatible. Multiple recording channels: you can record up to 16 channels directly through the individual 500 independent modules and going directly to the DAW for processing.More sum channels: you can play groups of instruments/stems in all 16 500 series slots for the sum, using the C.A.S.T. C.A.S.T. AwayIf link connector used with the proprietary C.A.S.T. system, it is possible to avoid excessive tangling of cables by using a economic solution, from low maintenance costs and plug&play through the transport of 4 balanced analog audio channels through a shielded Cat5 cable directly to the desired destination. Receive audio from the C.A.S.T. By connecting 500ADAT to the N22/N22H breakout boxes using a shielded Cat5 cable you can send microphone and line sources up to 100m of cable directly to the inputs of the 500ADAT.Transmit audio to the C.A.S.T.Through the same Cat5 connection, you can carry the 500ADAT monitor mix (talkback included) through the C.A.S.T. directly to the musician who can listen to zero-latency monitoring. DimensionsContained in 4U, with a rackable 19” steel frame, the 500ADAT is also perfect for mobile recording. Cranborne has thought of everything, including the lugs to support different mounting methods. You can insert the 500R8 into the rack to protect its front panel while traveling; you can also take the flaps and re-orient them to make it a hand-transportable unit. Homemade500ADAT is designed, engineered and manufactured in the UK. Every unit that leaves the English factory is tested to be subjected to years and years of carefree use. Built and designed with PassioneCranborne, it does not take shortcuts and does not accept compromises. Cranborne is made up of people like you: musicians and sound engineers. And that's why they are proud of the 500ADAT.