Way Huge WHE707 Supa-Puss Analog Delay

Thanks to Dunlop, the legendary Way Huge house, created in 1992 by Jeorge Tripps, comes back to life. Way Huge Electronics is the result of scrupulous and obsessive research in creating pedals with a great tone, reliability, robustness, suitable for use on pedalboards and that had the magic of vintage pedals. In the space of a few years, Tripps helped to revolutionize what would later be known as the market for boutique effects.” Now in collaboration with Dunlop, Way Huge pedals are back available for

Way Huge Supa-Puss

The Way Huge® Supa-Puss Analog Delay™ was designed by delay master Jeorge Tripps to explore the full true potential of analog delay, with an “eternity” of delay time and precise control of the many parameters of your delay signal. Tripps equipped the Supa-Puss with six bucket-brigade chips, offering up to 900 milliseconds of delay time.

With the Tap Tempo button, it is possible to program in real time up to three full seconds of delay time for the most ethereal atmospheres. The Subdivision control allows you to set the division of your repetitions and by switching to the single Chase mode you can set the repetitions so that they flow through each of the Subdivision values in different ways, thus obtaining amazing effects.

In addition to the normal Delay and Feedback controls, Tripps has included several controls for fine-tuning the sound of the repeats: Tone for shaping the color, Gain for adding grain, Speed and Deep controls for adding liquid and sparkling textures through the Supa-Puss LFO modulation circuit.

In addition, for further handling, Tripps has added a Mix control to set the desired mixture between the effected (Wet) and dry (Dry) signal. Finally, the Supa-Puss has a socket for connecting an external expression pedal to control the Delay Time of the Supa-Puss in real time

Technical specifications:
- Over 900 m/s of analog delay - “Hold for Trial” function
- Programmable delay with Tap tempo
- Rhythmic subdivisions of repetitions

- Tone, Gain, Depth, Speed controls, to form the modulation sound “Thanks to Dunlop, the

legendary Way Huge house, created in 1992 by Jeorge Tripps, comes back to life. Way Huge Electronics is the result of scrupulous and obsessive research in creating pedals with a great tone, reliability, robustness, suitable for use on pedalboards and that had the magic of vintage pedals. In the space of a few years, Tripps helped to revolutionize what would later be known as the market for boutique effects.” Now in collaboration with Dunlop, Way Huge pedals are back available for

Way Huge Supa-Puss

The Way Huge® Supa-Puss Analog Delay™ was designed by delay master Jeorge Tripps to explore the full true potential of analog delay, with an “eternity” of delay time and precise control of the many parameters of your delay signal. Tripps equipped the Supa-Puss with six bucket-brigade chips, offering up to 900 milliseconds of delay time.

With the Tap Tempo button, it is possible to program in real time up to three full seconds of delay time for the most ethereal atmospheres. The Subdivision control allows you to set the division of your repetitions and by switching to the single Chase mode you can set the repetitions so that they flow through each of the Subdivision values in different ways, thus obtaining amazing effects.

In addition to the normal Delay and Feedback controls, Tripps has included several controls for fine-tuning the sound of the repeats: Tone for shaping the color, Gain for adding grain, Speed and Deep controls for adding liquid and sparkling textures through the Supa-Puss LFO modulation circuit.

In addition, for further handling, Tripps has added a Mix control to set the desired mixture between the effected (Wet) and dry (Dry) signal. Finally, the Supa-Puss has a socket for connecting an external expression pedal to control the Delay Time of the Supa-Puss in real time

Technical specifications:
- Over 900 m/s of analog delay delay - “Hold for Trial” function
- Programmable delay with Tap tempo
- Rhythmic subdivisions of the repetitions

- Tone, Gain, Depth, Speed controls, to form the modulation